[스크랩] 100 years of "La Cumparsita" 라 꿈빠르시따 땅고곡 100주년 기념 콘서트, 브렌다 안히엘 (Brenda Angiel)

 

"El Delirio" 100 anos de La Cumparsita

라 꿈빠르시따 100주년 “엘 델리리오”(황홀;정신착란)

일시: 11월 25일(November 25), 2017

장소: 축구 경기장 특설 무대, Estadio Centenario(the Centennial Stadium), Montevideo, Uruguay(http://www.estadiocentenario.com.uy/)

"La cumparsita" 작곡 및 작사(Gerardo Matos Rodriguez 헤랄도 마또스 로드리게스)

출연진

악단: 엘 아란께 Orq. El Arranque 연주

여가수: 마이아 까스뜨로 Maia Castro

브렌다 안히엘 공중 무용단(Compania de danza Aerea Brenda Angiel: The Brenda Angiel Air Dance Company):

출처: https://youtu.be/hCfSyceVv2U

공중 무용에는 안무 결정 (시간, 공간, 순서와 움직임의 본질, 해석 기술)의 재구성 과정이 있다. 이 목표를 세우는 데 사용 된 기술 자원은 밧줄 (정적 및 탄성)과 멜빵 장치를 사용하여 댄서를 정지시키는 것입니다.

이 발전의 결과는 시각적, 운동적 즐거움이 근본적인 부분일 뿐 아니라 신체의 노출로 표시되는 예술적 위험이 있으며, 개인적이고 직관적으로 심미적인 도안이었습니다.?디지털 도구를 공중 무용의 언어로 도입하려는 아이디어는 투사 된 비디오 이미지를 포함하여 새로운 공간과 중력 환상을 창조하는 것이었습니다.또 다른 기회로는 다른 정체성을 제안하고 탱고에 개입하여, 역설적으로 그것의 정수가 존중받는 쇼 (뮤지컬뿐만 아니라 장르의 스테로이드)를 만드는 것이었습니다.

음악은 근본적인 역할을 하며 일반적으로 원본의 창작물과 기존 테마의 변주곡으로 구성됩니다.공중 무용은 단순히 날아가지 않고 움직임을 통해 다른 감각, 차원 및 에너지를 표현합니다.

브렌다 안히엘,

안무가, 공중 무용단 감독: 브렌다 안히엘 (Brenda Angiel)

Dancers (확인 필요): Viviana Finkelstein, Lucas Flores, Liza Rule Larrea, Maximiliano Navarro 

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1. 100 Years of “La Cumparsita” | Hear 10 versions of the most popular tango of all time:

https://www.wfmt.com/2017/11/25/100-years-la-cumparsita/

Its name( from "comparsa" carnival) alludes to the colorful groups of carnival revelers called 

comparsas.

November 25, 2017

La Cumparsita was composed in 1917 by Uruguayan pianist, composer and journalist Gerardo Matos Rodriguez.

Argentine band leader and composer Robert Firpo, who at the time was in the midst of a successful residency at Montevideo cafe La Giralda. La Cumparsita was premiered at La Giralda café in Montevideo by the Argentine Orchestra of Roberto Firpo in April 19, 1917.

With the song initially composed in two sections, Firpo added a third part that included elements of his 1906 tangos, La Gaucha Manuela and Curda Completa, to give the piece a sense of unity.

“But the tango was forgotten; its later success began when the words of Enrique Maroni and Pascual Contursi were associated with it.”

Indeed, the track took on a second life in 1924 when it was sung to the lovelorn lyrics of the Argentine poets.

Since then it has become a mainstay of popular culture: Gene Kelly danced solo (tap dance and spanish dance flavor) to it in 1945 film Anchors Aweigh

(https://www.youtube.com/watch?time_continue=2&v=j0AA_YuyY5g&ab_channel=TravisHilts;

“La cumparsita” dancing dream sequence that Kelly describes to show his love for Grayson), while crooner Julio Iglesias scored a hit with his 1996 cover and it continues to be favoured soundtrack to gymnastic routines.

The Tango Museum of Montevideo stands currently on that historic spot.

Uruguay is officially honoring the 100th birthday of “La Cumparsita” in 2017, its passion for the composition is shared around the world.

‘La Cumparsita’ embodies a world of illusions and sadness, dreams and nostalgia that we only experience when we(The composer) are twenty years old.”

The title ‘La Cumparsita’ translates as "the little parade", and the first version was a tune with no lyrics.

Later, Matos Rodriguez produced a version with lyrics that begin: "The parade of endless miseries marches around that sick being who will soon die of grief."

However, the most popular version of the song is accompanied by lyrics by Pascual Contursi and is also known as "Si Supieras" ("If you knew").

The Argentine songwriting duo of Pascual Contursi and Enrique Maroni composed the most famous lines of “La Cumparista”: Desde el dia que te fuiste siento angustias en mi pecho. Deci percanta ¿que has hecho de mi pobre corazon? (“Since the day you left I’ve felt anguish in my chest. Tell me, you tramp, what have you done to my poor heart?”)

2.The BsAs City celebrated the 100 years of "La Cumparsita", the tango that unites Argentina and

Uruguay

With the presence of the Minister of Culture of Buenos Aires, Ángel Mahler, a free concert of the trio was made up of Víctor Lavallén, Horacio Cabarcos and Pablo Estigarribia sen the Usina del Arte,

Monday, April 24, 2017

https://www.youtube.com/watch?v=JUplGDVvgag

The Minister of Culture of the City of Buenos Aires, Angel Mahler, emphasized the international importance of the tango that unites Argentina and Uruguay.

The City of Buenos Aires 

celebrated Friday the 100 years of "La Cumparsita" , the traditional tango that unites Argentina and Uruguay and that transcended the world.

Organized by the Ministry of Culture , the tribute consisted of a free concert in the Art Factory in charge of the trio composed by Victor Lavallén , Horacio Cabarcos and Pablo Estigarribia .

The Tango is one of the most traditional cultural expressions in the Rio de la Plata and was declared an Intangible Cultural Heritage of Humanity by Unesco in 2009. "La Cumparsita" , composed 100 years ago by the Uruguayan musician Gerardo Matos Rodríguez and inspired In a faded carnival, had since its premiere in Montevideo the light of the chosen works.

"It is a binational celebration, because both Uruguay and Argentina have the happiness to celebrate a hundred years of a composition that we have heard thousands of times, we have enjoyed it, we have made it. When a work passes the barrier of time it is because it has an important meaning and identification, "said the Minister of Culture of the City, Angel Mahler.

"This tango has already surpassed the barrier of Uruguay and

Argentina, it is known in the world," said Mahler.

This tribute unfolds together with other concerts that have the Tango as an indispensable genre in the programming of La Usina . In 2017 the 25th anniversary of the death of Astor Piazzolla is commemorated and in this context an exclusive agenda of tributes has been prepared for the great bandoneonist and composer. The plant also opens spaces for other tributes, such as the cycle of concerts offered by Pablo Aslán in his tribute to the work of Pugliese, or the work presented by Diego Schissi around the compositions of Mariano Mores. At the same time, you can enjoy the classic "Las Orquestas" cycle with the monthly concerts of the Tango Orchestra of Buenos Aires, among many other proposals that have Tango as the protagonist.

Tango was declared an Intangible Cultural Heritage of

Humanity by Unesco in 2009.

In April 1917 began the path of success of "La Cumparsita" in the 1920s, first Pascual Contursi and then other poets, incorporated letters. It was the work more interpreted and recorded by the ensembles, orchestras, singers and tango cancionistas throughout the twentieth century. His most famous version was played by Juan D'Arienzo , who recorded it on seven recordings.

Parallel to the celebration in Buenos Aires, in Montevideo, birthplace of "La Cumparsita" , there will be activities such as street milongas, string versions of drums and a show by the Philharmonic Orchestra of Montevideo , which will have the special participation of maestro Néstor Marconi at the Solis Theater.

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About the trio Lavallén-Estigarribia-Cabarcos

It represents the meeting of three musical generations in the tango . They gathered to recreate already legendary works of the genre and to launch their own compositions with instrumental arrangements of great subtlety and inspiration.

The trio represents the encounter of three musical

generations in the tango.

Víctor Lavallén lived the success of the tango in the '50: he played the bandoneón in great orchestras like that of Osvaldo Pugliese and soon he founded the Sexteto Tango .

Horacio Cabarcos from the '60s onwards was forging his own style in the execution of the double bass , instrument with which he was designing new sonorous contributions for orchestras like that of Leopoldo Federico .

Pablo Estigarribia , started as a tango pianist in the XXI century, has already traveled the way of arranging and orchestral conducting and has also given special attention to solo piano.

Axel Arakaki and Agostina Tarchini tango escenario "La Cumparsita" by (Komatsu Ryōta) 

https://www.youtube.com/watch?v=rwLZcIBTDvE&ab_channel=AiresDeMilonga 

코마츠 료타(born October 30, 1973) is a Japanese bandoneón player.

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